Ḻukunydja - Bountiful

Yirrkala
17 April - 11 May 2024

View Online Catalogue

A solo exhibition of Yalmakany Marawili presented by Aboriginal & Pacific Art in association with Buku-Larrnggay Mulka Centre, Yirrkala, NT.

"Look! How beautiful is the country itself which was given by our old people! And now we are living in their footsteps. Living how they taught us. To see the beauty of the land that we are living in. Look at how rich is the land, which is full of everything! It is bountiful, rich and beautiful.

My paintings are because of my mother, the old lady. She did a lot of paintings of food plants, fruits and medicines available to us Yolŋu. How the old people survived and fed themselves from the land. The old people were so strong and healthy and lived happily for a long time. This is why I have jumped into her footsteps to follow her path. I am building on her work because of all she taught me. Some of the young people in my family are knowledgeable about these plants because we are always teaching them.

I have painted some of the tubers that she painted like Ganguri, Buwakul, Ganay, Yukuwa, Rinytjaŋu, Bundjuŋu, and also all the fruits. But mainly I am describing plants that she had not shown yet by the time she passed away.

We use these medicines ourselves. We use Murrtjumun for boils, Nambara for coughs, Butjiriŋaniŋ for healthy skin and body, Borukpili for flu, Luŋiny for eye soreness and Munydjutj for toothache. All of the tubers and fruits I have painted we still eat now. When we go into the rainforest to dig for tubers we always start by eating the ripe fruit first.

The background pattern behind the plants I have painted is just the breeze blowing through the trees and cooling us down.

It makes me emotional thinking that my mother would be proud to see her mission continued. My previous jobs have been in art, education and land management and it feels like they all combine to help me pursue this vision of keeping useful plant knowledge alive."

- Transcript of recording Yalmakany 27.3.24

2024 | big Mob birds - Nyangulya Katie Nalgood

Spinifex Hill Studio
20 March - 13 April 2024

View Online Catalogue

Presented by Aboriginal & Pacific Art in association with Spinifex Hill Studio, South Hedland, WA

23 March – 13 April 2024

"Nyangulya Katie Nalgood has a strong affinity with birds, the diverse feathered creatures filling her personal history as well as cultural life. They are as much a part of her Country as she is, and their songs are the sound memories of her home. Nyangulya started out painting only the birds native to her country in Western Australia's Pilbara region, and collaborated with family members to help her sketch out their forms. Her technical skill has since become more refined, and she now works independently. Her imagination has also expanded, and she looks to birds from across Australia finding inspiration in their different colours, forms, and personalities."
- Spinifex Hill Studio

2024 | New Barkcloths of the Ömie Women

Ömie Artists
15 February - 16 March 2024

New Barkcloths of the Ömie Women

 View Online Catalogue

Aboriginal & Pacific Art, in association with Ömie Artists, presents an exhibition of exquisite new paintings on nioge (barkcloth) by three remarkable Ömie women artists from the remote mountain rainforests of Papua New Guinea.

 

The show features an exceptional body of work by Diona Jonevari (Suwarari), that augments her place as a highly accomplished painter. With ambitious vision, Diona weaves her intricate designs into commanding and graceful compositions.

 

Diona often paints alongside her sister-in-law, Dyna Jonevari (Ïka), whose work is of astonishing resolve and abounds with the captivating abstract symbolism for which the Ömie artists have come to be celebrated for. Dyna’s wealth of knowledge—transmitted from the strong, authentic lineage of her birth mother, Dapeni Jonevari (Mokokari)—can be seen through the raw power of her mark-making.

 

Artist Rosemon Hinana creates her art using the ancient appliqué technique known as sihoti'e taliobamë'e, where the barkcloth is first dyed with mud and then sewn into bold and striking compositions using locally harvested grass thread and a bat wing bone needle. Rosemon’s precious mud-dyed barkcloths poetically echo those created by the first female ancestor, Suja, as told in the sacred Ömie creation story.

 

These vibrant and dynamic contemporary works on nioge (barkcloth) resonate with the artists’ deep knowledge of the natural world and their profound wisdom of place. Together, whether through elaborate artistry or minimal restraint, these artists share with us the very essence and beauty of their culture.